Zen masterJapan

Takuan Sōhō

The monk who taught the sword to stop nowhere

1 work · 30 passages grounded

Lifespan
1573–~1646
School
Zen
Wikipedia

The mind

Yagyū Munenori taught swordsmanship to the Tokugawa shoguns, and a Zen monk wrote down for him where a fighter's mind should be when a blade is coming at it. Takuan Sōhō's answer was: nowhere. A mind fixed on the opponent's sword, on its own sword or on the timing stops there, and he gave that stopping a Buddhist name, the affliction of abiding in ignorance. A mind that rests on nothing is free to go anywhere. Look at one leaf of a tree, he wrote, and the other leaves are as good as absent; look at none, and the whole tree is there at once. He turned the same test on a technique taught to fighters and meditators alike, holding the mind just below the navel, and ranked it low, because a mind told to stay in one place is held by the instruction. No original of his text, The Mysterious Record of Immovable Wisdom, survives, and its date is uncertain.

Takuan came to it from the centre of Japanese Zen. His father served the Yamana, the lords of Tajima, whose house fell to the forces of Oda Nobunaga when the boy was eight; at ten he entered a temple as a novice. He trained at Daitoku-ji in Kyoto, the monastery Shūhō Myōchō had founded three centuries earlier, and was made its abbot in 1609, a post he left after three days. Later he turned down an invitation from Toyotomi Hideyori, the heir of Japan's late ruler. In 1638 he declined the title of National Master offered by the retired emperor Go-Mizunoo and asked that it be given instead, posthumously, to Tettō Gikō, Shūhō's disciple and successor at Daitoku-ji. He also wrote the founder's life: a chronicle, finished in 1617, that put a date to every incident, some of them taken from documents and others, in the judgement of the historian Kenneth Kraft, beyond verification.

The shogunate gave him his hardest years. Its new laws required Edo's approval for appointments at Daitoku-ji, and in 1627 it annulled the purple robes that Go-Mizunoo, then emperor, had granted to senior monks without consulting it. Takuan helped lead the protest of Daitoku-ji and Myōshin-ji and drafted its petition. In 1629 he was tried at Edo and banished to Kaminoyama in the northern province of Dewa, where the local lord, Toki Yorioki, built him a hermitage. A general pardon followed in 1632, after the death of the retired shogun Hidetada, and Munenori was among those who worked for it. Munenori and the monk Tenkai, an adviser to the shoguns, then brought Takuan before the third shogun, Iemitsu, who called him to Edo to lecture, installed him in 1639 as first abbot of Tōkai-ji, a temple he had built for him in Shinagawa, and in 1641 restored the rights the two monasteries had lost.

The martial arts adopted the book. Imamura Yoshio, a historian of the Yagyū family, called it the first work to explain the inner meaning of the martial way through Zen, and Eugen Herrigel's Zen in the Art of Archery carried part of it to Western readers. The scholar Brian Victoria, in Zen at War, argued that Takuan's teaching of an empty opponent licensed killing and broke the Buddhist precept against it, a reading that others contest.

He died in Edo, and the tradition says that before he put down the brush he wrote a single character, yume, "dream". Both Iemitsu and Go-Mizunoo had asked him to name an heir to his teaching, and he named none; his last instructions called anyone who claimed to be his heir a thief of the Dharma. Peter Haskel, a translator of his writings, reads this as Takuan's view that the mind of Zen exists whenever a practitioner realises it, with or without a teacher's sanction.

Key concepts

What are the correct mind and the lopsided mind?

The correct mind is spread through the whole body and leans to no side; the lopsided mind has gathered in one place and left the rest without it. Takuan's word for the first means straight or upright, and he defines it by reach rather than by rules. A mind settled in the right hand, he says, leaves the eyes and feet unserved; spread everywhere, it serves whichever part is needed.

Why does Takuan compare the mind to a spark from stone?

Because a spark leaves no interval in which anything could stop. Strike a stone and the light is there at once, with no gap between blow and flash. Takuan warns that the image is not about speed: what matters is that the mind finds no place to rest between the two. He pairs it with lightning, which is over before anything could linger in it.

What does it mean that striker, sword and struck are empty?

It means that none of them is a fixed thing the mind can settle on. Takuan takes emptiness from Buddhist teaching, where it names the lack of any lasting core in things, and turns it into an instruction: let neither the opponent, nor the fighter's own hand, nor the blade catch the mind. Nor the idea of emptiness itself, he adds: the mind must not be taken by emptiness either.

What does it mean to cut off before and after?

It means not carrying the last moment's mind into this one, and not leaving this moment's mind behind for the next. Takuan takes up the saying to tell a fighter to sever the join between the two, so that a parried blow is finished the instant it is parried. Against ten attackers in turn, he says, the mind meets each one and lingers with none, so it never falls behind.

Why do the highest and lowest stages of training look alike?

Because neither has anything in the mind to stop on. A beginner knows no stances, so he simply meets the blow; training fills the mind with grips, stances and places to put it, and long practice empties them again. Takuan compares counting from one to ten round a ring, where ten comes back beside one, and a musical scale whose lowest and highest notes sit side by side.

Themes of the Mind

Concepts that recur together across the corpus held here, gathered into themes and ordered by how much of this philosopher's writing each one occupies.

Nowhere, and So Everywhere

Fighters and meditators were taught to keep the mind below the navel, ready for any attack. Can a mind kept in any one place, however well chosen, still answer when it is needed?

Takuan ranks the navel technique as a stage of training, never its goal: a mind held anywhere is held by the holding, and the rest of the body loses its use. Put it nowhere, he writes, and it spreads through the whole body, in the hand when the hand is needed and in the eye when the eye is. He calls that the correct mind, and a mind gathered to one side the lopsided mind. The same refusal governs timing: between a blow and its answer there should be no gap a hair could enter, as sound follows a clap.

  • attention
  • mental fixation
  • no-mind
  • spontaneity
  • responsiveness
  • mind and action
  • embodied action
  • perception

Two Wheels of One Cart

Knowing how the mind should move and being able to move it are different things. If the master ends where the beginner started, what were all the years of training for?

Principle, in his vocabulary, is understanding the mind that stops nowhere; practice is the drilled work of stance, grip and cut. Without practice, principle sits in the chest and the hands do not move; without principle, the finest technique has no centre. The two turn together like the wheels of a cart. Training first fills the mind with places to stop and then, over years, empties them, until the master looks like someone who knows nothing. It is the half-learned whose cleverness shows, and a mind that tries to stop thinking has found one more thought.

  • theory and practice
  • practice
  • training
  • discipline
  • skill
  • embodied knowledge
  • knowledge
  • perseverance
  • direct experience

One Mind in Every Way

Shinto, poetry, Confucian learning, Buddhism, the sword and the dance each claim a way of their own. If they all point at one mind, how should their images, poems and rules be read?

Kannon's thousand arms are his test case. A simple believer takes them literally, the half-learned sneer that no body has a thousand arms, and Takuan honours the image for what it shows: a mind fixed on no single hand can use them all. He reads the fierce guardian Fudō, the poems of Saigyō and Jien and a dancer's fan the same way. And he carries the lesson into government: a lord whose own mind is right commands thousands as the thousand arms serve one mind, which is why loyalty begins with setting oneself right.

  • Buddhist symbolism
  • interpretation
  • Buddhism
  • Buddha-nature
  • performance
  • leadership
  • good governance
  • moral example

The Empty Blow

A teaching meant to free a fighter's mind is also a teaching about killing. Does a blow struck with no thought behind it carry any guilt, and who answers for it?

He tells the swordsman to forget the hand that strikes. The one who strikes is empty, the sword is empty, the one struck is empty, and the cut is like the verse Mugaku of Kamakura made at swordpoint in China, about a lightning flash cutting the spring wind. Read alone, that seems to dissolve the killer. Yet the same pages say that good and evil both arise the instant a thought stirs, and they close by demanding a right mind, honest service and no bribes. Whether emptiness and that demand can stand together is the question his readers still argue.

  • emptiness
  • martial arts
  • moral accountability
  • justice
  • self-restraint
  • self-deception
  • nonattachment
  • impermanence

By the numbers

works held
1
passages traced
30
concepts traced
47
thematic clusters
5

Concepts that travel together

The wheel takes the leading concepts of these writings and shows how often they come up together. The wider the band between two, the more passages speak of both. Among them, most often together: “attention” and “nonattachment”.
Concept co-occurrence, strongest first 5 concepts, joined by 10 pairings. 25 pairings reach beyond these concepts and are not drawn.
ConceptPaired conceptShared passages
attentionnonattachment14
mental fixationmindfulness7
nonattachmentpractice7
mental fixationnonattachment5
attentionmental fixation4
attentionmindfulness4
attentionpractice4
mindfulnessnonattachment4
mental fixationpractice2
mindfulnesspractice1

The arc of a career

A cell's weight is that concept's share of the work's passages, so a column can be read downwards as well as a row across. Densest: nonattachment in The Mysterious Record of Immovable Wisdom, 66.7%.

Density 0% 66.7%

Concept density per work, chronological A single work. 5 concept columns, ranked by total weight.
WorkYearnonattachmentattentionpracticemental fixationmindfulness
The Mysterious Record of Immovable Wisdom66.7%53.3%30%26.7%23.3%

Works held

Titles in your language, the original beneath in brackets; “lit.” marks our own translation where no English edition exists. Side chips show which full texts are held.

  1. The Mysterious Record of Immovable Wisdom (不動智神妙録)

    Of his two writings on the sword, the one written for Yagyū Munenori, and the one the martial arts adopted as a classic of mind and technique.

    JA
Begin a dialogue with Takuan Sōhō

— or wander to another mind

Set two minds against each other

Each of these is a question the two of them answer differently. Choose one and they argue it out, both drawing on the texts held here.