WorkMadhva

Mahābhārata-tātparya-nirṇaya

Madhva's verse retelling of the Rāmāyaṇa and the Mahābhārata, with Bhīma as its hero and every episode read as proof of Vishnu's supremacy.

by Madhva1,244 passages held

  • Sanskrit, the original language
Original language
Sanskrit

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Overview

The Mahābhārata, Madhva says early in this work, has not come down intact: verses have been inserted in some places and dropped or moved in others, and of the old scriptures in general nearly all are lost. His answer is an independent poem rather than a commentary on the epic's lines: some five thousand verses in thirty-two chapters that set out the epic's true purport, which is what the title promises. He claims to have compared manuscripts from many regions and to write by the grace of Vishnu. The epic, he adds, does not always speak directly: a passage that seems to contradict its purport is meant indirectly, and when a god in human form appears ignorant or suffers, the show is put on to mislead demons. The epic of the war between the five Pāṇḍava brothers and their cousins was, for Madhva, scripture that outranks the Vedas; the poem tells that the gods once weighed it against them on a scale and the epic proved heavier. Its first chapter sets out how all scripture is to be read: everything points to Vishnu, who is free of every defect, and beneath him souls stand in an eternal order of rank. Some are fit for liberation, some will be reborn without end, and some are bound for darkness. The chapters that follow retell the Rāmāyaṇa, the life of Krishna and the war in that light, and near its close the poem charges the readings that make God and the soul one with hiding the Lord's supremacy. The hero is Bhīma, the strongest Pāṇḍava, because he is a descent of Vāyu, the wind god who serves Vishnu, as Hanumān was before him. The poem names Vāyu's third descent Pūrṇaprajña, one of Madhva's own names. It also tells of Maṇimat, a demon Bhīma kills, born again in the present age to spread a false doctrine; Madhva's followers identified him with Śaṅkara. Rāghavendra Tīrtha, a later Mādhva teacher, condensed the thirty-two chapters into thirty-two verses. In 2000 Roque Mesquita, an Indologist at Vienna, argued that Madhva himself composed the many passages he quotes from the Purāṇas and the Mahābhārata that no known manuscript contains, believing them revealed to him. B. N. K. Sharma, the school's modern historian, and Shrisha Rao answered him in 2003, and Mesquita replied in turn.

Key concepts

What is the 'purport' this book sets out to determine?

The purport, tātparya, is what a text as a whole is aiming at, as opposed to what single lines seem to say. The title means 'determination of the purport of the Mahābhārata', and Madhva's answer is that the epic's purport, like that of all scripture, is Vishnu's supremacy. Episodes and verses are read for how they serve that aim.

What are the epic's three modes of speaking?

Madhva distinguishes three kinds of statement in the epic. Some come from the seer's direct insight and settle doctrine. Some voice other points of view and are accepted where they do not conflict with that insight. Some are meant indirectly or esoterically, and a passage that seems to contradict Vishnu's supremacy belongs here and is reread in its light.

What is a descent of God in this retelling?

A descent is a form in which a divine being appears on earth. Vishnu's descents, Rāma and Krishna among them, are wholly divine and free of defect, whatever they seem to undergo. Lesser gods descend too, with less of God's presence in them: Vāyu, the wind god who serves Vishnu, comes as Hanumān and then as Bhīma.

What are the three destinies of souls?

Souls differ by nature and are headed for one of three ends. Some are fit for liberation and reach it by devotion and Vishnu's grace. Some are bound to be reborn without end. Some, the demons and those who hate Vishnu, are bound for unrelieved darkness. Those unfit for liberation are turned from its path by God's power of illusion, and take what is staged for real.

Why is Vishnu supreme over all other gods here?

Vishnu alone is independent and free of every defect, and every other being, the great gods included, depends on him and serves him. The other gods hold their rank by his grace, in a fixed order beneath him. Hence Madhva's rule for reading: whatever in the epic seems to put another god above Vishnu, or to show Vishnu lacking, is not the epic's purport.

Themes of the book

What this book returns to, gathered into themes and ordered by how much of the text each one occupies.

The Epic Rightly Read

Can a war story be scripture weightier than the Vedas? Only, Madhva answers, for a reader who knows what has been corrupted and in which mode each passage speaks.

The epic, Madhva warns, has reached him with verses inserted, dropped and moved, so he claims to have compared manuscripts from many regions and to write by Vishnu's grace. His first chapter lays down the rules. Weighed against the Vedas by the gods, the epic proved heavier. Its language works in three modes, and a passage that seems to lessen Vishnu is meant indirectly. Read inwardly, the Pāṇḍavas are virtues and their enemies the senses gone astray, and every line points to Vishnu.

  • scriptural authority
  • epic narrative
  • knowledge
  • cosmology
  • ritual

A God Who Only Seems to Suffer

When Rāma is parted from Sītā, or a descent of Vishnu yields in a fight, has God been diminished? Madhva reads each such scene as staged, and asks whom the staging is for.

Vishnu is free of every defect, so ignorance, dependence or pain in his descents can only be a show put on to mislead demons. The real Sītā, a goddess, is never touched: the demon king Rāvaṇa carries off a substitute form. Paraśurāma lets Bhīṣma seem to win, to keep his word. Those unfit for liberation take such scenes at face value, slander the god and fall into darkness, and Vishnu even has Shiva spread doctrines that keep the hostile deluded.

  • divine incarnation
  • divine power
  • divine supremacy
  • deception
  • divine protection
  • divine intervention
  • divine weapons
  • boons
  • divine grace

Bhīma's War

Who is the true hero of the great war, and what does it ask of the strong? Madhva gives the epic to Bhīma, and to a strength that serves.

Bhīma, the strongest Pāṇḍava, is a descent of Vāyu, the wind god who serves Vishnu, as Hanumān was before him, while Arjuna's fame owes much to his divine bow and endless arrows. Around him Madhva retells the war's moral cases: Vidura's ruling that a stake taken by rigged dice was never truly given, Bhīma's vow after Draupadī is assaulted, Karṇa's loyalty to those who honoured him, and Duryodhana, whose mind Krishna could have bent and whom he leaves to fall into darkness.

  • warfare
  • war
  • combat
  • violence
  • strength
  • courage
  • dharma
  • duty
  • kingship
  • moral responsibility
  • justice
  • marriage
  • protection
  • devotion
  • liberation
  • karma

Within this work

passages held
1,244
distinct concepts
937
by passages held, corpus-wide
#51

What this book thinks together

The wheel takes this book’s leading concepts and shows how often they come up together. The wider the band between two, the more of its passages speak of both. Among them, most often together: “epic narrative” and “warfare”.
Concept co-occurrence, strongest first 8 concepts, joined by 24 pairings. 85 pairings reach beyond these concepts and are not drawn.
ConceptPaired conceptShared passages
epic narrativewarfare103
devotionliberation30
divine powerwarfare23
dutywarfare22
devotiondharma18
dharmakingship16
devotiondivine power12
devotionwarfare12
devotionkingship10
divine powerepic narrative9
dharmawarfare8
devotionepic narrative7
dharmaliberation7
kingshipwarfare7
divine powerkingship6
dutyepic narrative5
devotionduty4
dharmadivine power4
dharmaduty4
divine powerliberation3
dutyliberation2
epic narrativeliberation2
dutykingship1
kingshipliberation1

Works held

The author's work in order, this book marked in place. Your-language title first, the original beneath it where the two differ; side chips show which full texts are held.

  1. Aṇubhāṣya

    It condenses Madhva's reading of the Brahma Sūtras into four short chapters of verse, written, the tradition says, so that his disciples need not read the whole commentary every day.

    SA
  2. Anuvyākhyāna

    Of the four works Madhva wrote on the Brahma Sūtras, this verse supplement to his commentary carries the argument against the other schools.

    SA
  3. Kṛṣṇāmṛtamahārṇava

    Unlike his commentaries and polemics, it is a handbook rather than an argument: scriptural verses gathered into a guide to daily Vaiṣṇava practice.

    SA
  4. Mahābhārata-tātparya-nirṇaya you are here SA
  5. Pramāṇalakṣaṇa

    One of Madhva's short monographs, it sets down in a few pages the theory of knowledge that his commentaries and polemics take for granted.

    SA
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