PhilosopherIndia

Madhva

The Vedāntin who gave difference the last word

5 works · 1,646 passages grounded

Lifespan
1238–1317
School
Dvaita
Also known as
Madhvacharya
Wikipedia

The mind

Near the close of the Mahābhārata-tātparya-nirṇaya, a Sanskrit poem of some five thousand verses that retells the great epic, its author makes a claim about himself. When 4,300 years of the present age, the Kali age, had passed, the poem says, Bhīma was born again on earth in the body of a Brahmin, to make known the truth about Vishnu that demons had hidden. The poem treats Bhīma, the strongest of the epic's five brothers, as a descent of Vāyu, the wind god who serves Vishnu, and earlier names the third such descent Pūrṇaprajña. Pūrṇaprajña is one of the names of Madhva, the poem's author and the founder of Dvaita, the dualist school of Vedānta, the philosophy built on the Upanishads. In its last verses he signs as Ānandatīrtha, also called Pūrṇaprajña, and says he composed it at the bidding of Nārāyaṇa, a name of Vishnu, at Badarī in the Himalayas.

The hidden truth fits in one sentence: God, souls and the material world are really and permanently different, and no scripture teaches otherwise. Everything other than God depends on him, and that dependence is what keeps it distinct from him. Advaita, the non-dualism of the earlier teacher Śaṅkara, held that the self is Brahman, the ultimate reality, and the world of many things an appearance. Against it Madhva set five differences that never dissolve: between God and souls, God and matter, soul and matter, one soul and another, and one piece of matter and another. Advaita read the Upanishadic sentence tat tvam asi, "you are that", as an identity. Madhva divided it differently, carrying a vowel over from the word before, so that it reads atat tvam asi: "you are not that".

His life is known mainly from the Madhvavijaya, a verse biography in sixteen cantos composed in the fourteenth century by Nārāyaṇa Paṇḍitācārya, the son of one of Madhva's own disciples. The tradition takes the poem's 4,300 years as the year of his birth, 1199 by its reckoning, and it dates his death to 1278. Most modern reference works place him later, at about 1238 to 1317. He was born at Pājaka, near Udupi on the coast of what is now Karnataka, into a Brahmin family, and was named Vāsudeva. The tradition says that as a teenager he became a renouncer in an Advaita monastery at Udupi under the teacher Acyutaprekṣa, disputed with him over the meaning of scripture, and went his own way. The tradition also counts Vyāsa, the sage to whom the Brahma Sūtras and the Mahābhārata are ascribed, as his teacher, and says Madhva met him at Badarī before writing his commentary on the Sūtras.

His argument rested on trust in ordinary knowing. If perception were wrong about something as plain as our separateness from one another and from God, nothing perceived could be trusted, the words of the Vedas included, since they reach a reader only through the senses and inference. Scripture tells what perception and inference cannot reach — the nature of the self and of God — but it cannot contradict them.

The doctrine of difference cut against Rāmānuja as well, the Vaiṣṇava teacher of the Tamil south whose qualified non-dualism, Viśiṣṭādvaita, had already made the world real and God personal. Rāmānuja held that souls share God's essential nature and that every freed soul enjoys the same bliss. To Madhva any identity of soul and God compromised Vishnu's supremacy and emptied devotion of its point. Souls differ by nature, he taught, in a rank that holds even in liberation: some are fit for release, some are reborn without end, some are bound for darkness. Karma does not make a soul what it is; it carries each soul toward the end its nature already holds. Only Vishnu's grace, answering devotion, frees anyone.

Rivals answered for centuries. In the sixteenth century the Advaita scholar Appayya Dīkṣita accused him of citing scriptural passages found nowhere else. Roque Mesquita, an Indologist at Vienna, concluded that Madhva composed those passages himself in the belief that they were revealed to him; Dvaita scholars, among them B. N. K. Sharma, the school's modern historian, contest it. Inside the school his arguments were carried on by Jayatīrtha in the fourteenth century and by Vyāsatīrtha, whose Nyāyāmṛta drew from the Advaita side its most celebrated later reply, Madhusūdana Sarasvatī's Advaitasiddhi.

Some thirty-seven works are credited to Madhva, among them commentaries on the Upanishads, the Bhagavadgītā and the Brahma Sūtras, and the verse Anuvyākhyāna, which accompanies the last. Three of his shorter works are held here: the Aṇubhāṣya, his reading of the Brahma Sūtras pressed into some thirty verses; the Pramāṇalakṣaṇa, a short treatise on the means of valid knowledge; and the Kṛṣṇāmṛtamahārṇava, an anthology of about 230 verses on the worship of Vishnu. At Udupi he founded a temple of Krishna, and it is still in the charge of monks in succession from his disciples, drawn from eight monasteries around it.

Key concepts

Why does Madhva read 'you are that' as 'you are not that'?

Because he holds that no scripture teaches that the soul is God. The Upanishadic sentence usually translated 'you are that', repeated again and again in its chapter, can also be divided so that it reads 'you are not that', and Madhva takes the teaching that way. Where another sentence seems to make the self one with Brahman, the ultimate reality, he reads it as speaking of likeness or closeness, never of sameness.

What is svabhāva, a soul's own nature?

Svabhāva is the nature each soul has without beginning, and it decides where that soul is headed. Souls are not alike underneath: some are fit by nature for liberation, some for endless rebirth, some for darkness. Karma, the weight of past deeds, does not create that nature. It carries the soul toward the end its nature already holds, and effort matters because it brings out what a soul is, not because it changes it.

What does Madhva mean by bhakti, devotion?

Bhakti is a firm love for God that surpasses every other love and rests on knowing his greatness. Madhva defines it in a verse in the first chapter of his epic poem, and adds that liberation comes through it and in no other way. Feeling alone is not enough, and neither is learning alone: the devotee must understand Vishnu as supreme over every being, and love him for exactly that.

What part does grace play in Madhva's idea of liberation?

Grace, prasāda, God's favour, is the only thing that finally frees a soul. Study, reflection and worship prepare the way, but they do not force the result: God, pleased by devotion, grants liberation as a gift. Because the gift answers devotion, its measure differs from soul to soul, and the freed differ in how much bliss they enjoy, while every one of them stays distinct from God.

What does it mean that God creates the world 'in play'?

It means God makes and sustains the world out of his own fullness, not to gain anything. Ordinary beings act because joy or sorrow moves them; an all-powerful God, Madhva argues, acts as play, without need and without effort. Play here is not carelessness. Within it embodied beings meet pleasure and pain, and the whole is ordered toward their good, the way a father acts for his children.

Themes of the Mind

Concepts that recur together across the corpus held here, gathered into themes and ordered by how much of this philosopher's writing each one occupies.

You Are Not That

Is the self, at bottom, the one God it seeks? Madhva answers no, and holds that this refusal is what lets a soul have a God at all.

Advaita read the Upanishads as teaching that the self is Brahman, the ultimate reality, and the world of many things an appearance. Madhva called the world itself fivefold difference, and held that difference is seen in the very act of seeing two things, not added afterwards. A scriptural sentence that seems to make the self God speaks of likeness, and the famous 'you are that' he divides as 'you are not that'. Everything apart from God leans on him wholly, and that dependence is exactly what keeps it distinct.

  • difference
  • identity and difference
  • nondualism
  • dependence
  • perception
  • illusion
  • appearance and reality
  • metaphysics

Every Good Quality, and Not One Flaw

Is the highest reality a blank beyond all description, or the fullest of all beings? Madhva stakes his theology on the second, and every rank of beings hangs from it.

Against teachers who made the ultimate a consciousness without features, Madhva argued that denying every distinction would leave even the words 'I am' empty. Vishnu is endowed with endless good qualities and free of every defect, the one being who exists, knows and acts by his own power. He creates without effort and from no need, as play, the way a father acts for his children rather than for gain. Beneath him every god holds a rank, and the greatest of them depend on him as wholly as the least.

  • divine attributes
  • divine supremacy
  • divine nature
  • divine sovereignty
  • divine hierarchy
  • divine play
  • creation
  • theology

Each Soul Toward Its Own End

Why do some souls find God while others turn from him for ever? Madhva looks for the answer in what each soul is, not in what it happens to do.

Souls, for Madhva, are many and unequal by nature, and the inequality has no beginning. Some are fit for liberation, some are reborn without end, and some, hostile to God, are bound for darkness, and no soul changes its group. Karma does not make a soul what it is: it carries each soul toward the end its own nature, its svabhāva, already holds. Effort still counts, since greater striving brings a higher attainment, but it unfolds a nature rather than replacing one.

  • soul
  • karma
  • rebirth
  • afterlife
  • moral responsibility
  • justice
  • spiritual hierarchy

A Love That Knows Whom It Loves

Is devotion a feeling or a kind of knowledge? Madhva joins the two, and makes the joined love the only road to freedom.

Devotion, in a verse from the first chapter of Madhva's epic poem, is a firm love that surpasses every other, grounded in knowledge of God's greatness, and liberation comes through it and in no other way. The knowing comes first. A soul must understand Vishnu as supreme over all to love him rightly, which is why those who think God bare of qualities, or one with themselves, are said never to reach him. Devotion is answered by Vishnu's grace, and only grace frees anyone.

  • devotion
  • divine grace
  • worship
  • liberation
  • bliss
  • knowledge
  • meditation

By the numbers

works held
5
passages traced
1,646
concepts traced
1,178
thematic clusters
5

Concepts that travel together

The wheel takes the leading concepts of these writings and shows how often they come up together. The wider the band between two, the more passages speak of both. Among them, most often together: “devotion” and “liberation”.
Concept co-occurrence, strongest first 8 concepts, joined by 23 pairings. 88 pairings reach beyond these concepts and are not drawn.
ConceptPaired conceptShared passages
devotionliberation51
liberationscriptural authority41
epistemologyscriptural authority27
knowledgeliberation27
karmaliberation23
blissliberation15
devotionkarma14
epistemologyliberation12
devotionknowledge11
devotionscriptural authority10
devotiondivine sovereignty8
divine sovereigntyliberation7
knowledgescriptural authority6
karmaknowledge5
blissscriptural authority4
karmascriptural authority4
blissknowledge3
divine sovereigntyknowledge3
divine sovereigntyscriptural authority3
epistemologyknowledge3
blissdevotion2
divine sovereigntykarma2
blisskarma1

The arc of a career

A cell's weight is that concept's share of the work's passages, so a column can be read downwards as well as a row across. Densest: liberation in Aṇubhāṣya, 75%.

Density 0% 75%

Concept density per work, chronological 5 works, in the order they were written. 8 concept columns, ranked by total weight. 83 further concepts fall outside the columns shown.
WorkYearliberationepistemologyscriptural authoritykarmaknowledgedevotionblissdivine sovereignty
Aṇubhāṣya75%0%25%50%50%0%50%50%
Anuvyākhyāna28.3%19.1%22.7%5%6.9%7.5%3.9%1.9%
Kṛṣṇāmṛtamahārṇava50%0%3.3%6.7%3.3%36.7%0%0%
Mahābhārata-tātparya-nirṇaya7.3%0.7%3.9%3.1%2.9%15.8%0.2%2%
Pramāṇalakṣaṇa0%71.4%14.3%0%0%0%0%0%

Works held

Titles in your language, the original beneath in brackets; “lit.” marks our own translation where no English edition exists. Side chips show which full texts are held.

  1. lit. The Brief Commentary Aṇubhāṣya

    It condenses Madhva's reading of the Brahma Sūtras into four short chapters of verse, written, the tradition says, so that his disciples need not read the whole commentary every day.

    SA
  2. lit. The Supplementary Exposition Anuvyākhyāna

    Of the four works Madhva wrote on the Brahma Sūtras, this verse supplement to his commentary carries the argument against the other schools.

    SA
  3. Kṛṣṇāmṛtamahārṇava

    Unlike his commentaries and polemics, it is a handbook rather than an argument: scriptural verses gathered into a guide to daily Vaiṣṇava practice.

    SA
  4. Mahābhārata-tātparya-nirṇaya

    A retelling in verse of two epics and the life of Krishna, it carries into narrative the theology that Madhva's commentaries argue line by line.

    SA
  5. Pramāṇalakṣaṇa

    One of Madhva's short monographs, it sets down in a few pages the theory of knowledge that his commentaries and polemics take for granted.

    SA
Begin a dialogue with Madhva

— or wander to another mind

Set two minds against each other

Each of these is a question the two of them answer differently. Choose one and they argue it out, both drawing on the texts held here.