WorkRalph Waldo Emerson

Nature

The slim book of 1836, printed without its author's name, that gave American Transcendentalism its first full statement.

by Ralph Waldo Emerson62 passages held

  • English, the original language, and your language
First published
(aged 33)
Original language
English

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Overview

Boston in 1836 took its religion at second hand, from scripture and from sermons about scripture. Ralph Waldo Emerson, who had resigned his Boston pulpit four years earlier, began his first book by asking why his generation should not have a relation to the universe of its own. Nature went on sale in September 1836, a short book published by James Munroe, paid for by Emerson himself, with no name on the title page. Its claim is that the natural world is not dead matter but a language: every natural fact stands for a spiritual one, so a person who reads nature attentively needs no church and no tradition between them and God. The argument climbs through the uses people make of nature, as commodity, as beauty, as language and as discipline, toward idealism, the suspicion that the world exists for and through the mind, and ends on spirit. Its best-known image, of Emerson crossing a bare common at twilight and becoming a transparent eyeball, was drawn as a caricature by the painter Christopher Pearse Cranch, a friend from the same circle. Reviewers divided. Francis Bowen, writing in the Unitarian Christian Examiner, allowed it beautiful writing and sound philosophy, then faulted its vagueness, its vein of mysticism and its want of anything original. Copies sat unsold for years, and no second edition was called for until 1849. One early reader was Henry David Thoreau, then a senior at Harvard College, who later built his house at Walden Pond on land Emerson owned.

Key concepts

What does Emerson mean by commodity in Nature?

Commodity is the lowest use of nature: everything it gives the body, from food and warmth to wind that turns the mill. Emerson calls it a mercenary benefit and does not dwell on it, because it points past itself. A man is fed, he writes, not that he may be fed, but that he may work. Nature serves the body so that the body can serve something higher.

What is the correspondence between nature and the mind?

It is Emerson's claim that visible things and human thoughts match, so that each thing in nature can stand for a state of the mind. A lamb is innocence and a snake is subtle spite. That is why early language is all pictures and poetry, and why a writer who fastens words back to visible things speaks with more force than one who repeats worn phrases.

Why does Emerson call nature a discipline?

Because it educates. Space, time, labour, climate, food, the animals and the mechanical forces give daily lessons whose meaning has no limit, Emerson writes. They train the understanding, which learns order, measure and difference, and they train the reason, which sees the moral law behind them. Every natural process, on this view, is a version of a moral sentence.

What is idealism, and how far does Nature accept it?

Idealism is the view that the world may exist only as it appears to a mind, not as matter on its own. Emerson treats it as a noble doubt worth holding, because it loosens the grip of things and lets a person see nature as spirit's work. He stops short of denying matter outright, since that would leave the mind alone with its perceptions and leave God out.

What role does spirit play at the end of Nature?

Spirit is the one power behind both nature and the person, and for Emerson it works from the inside. It does not build nature around us, he writes, but puts it forth through us, as the life of a tree puts out new leaves through the old. So a person in contact with it does not merely look at the world but helps produce it.

Themes of the book

What this book returns to, gathered into themes and ordered by how much of the text each one occupies.

Nature as a language to be read

Is the natural world only matter to be used, or does it say something? Emerson answers that it speaks, and that whoever learns to read it needs no priest between them and God.

Emerson climbs through four uses of nature. As commodity it feeds and warms us, as beauty it delights, as discipline it teaches, and as language it means. Words began as names of things: right meant straight, spirit meant wind. Things in turn stand for thoughts, so a firm man is a rock and a cunning one a fox. Against a Boston that took its religion from books about books, he holds that this language is open to anyone who looks, and that most adults have simply stopped looking.

  • nature
  • language
  • symbolism
  • analogy
  • metaphor
  • poetry
  • perception
  • aesthetics
  • beauty
  • art
  • utility
  • science
  • education
  • virtue
  • ethics

The world in the mind, and spirit behind it

If nature speaks, who is speaking through it, and does it exist apart from the mind that hears it? Emerson entertains the doubt that it does not, then turns it toward spirit.

Idealism, the suspicion that the world exists only as it appears to a mind, is for Emerson a noble doubt rather than a conclusion. It frees the eye: tilt the head and the familiar landscape turns into a picture. But he will not end there, because a world made only of perceptions leaves God out and the self alone. Spirit, he concludes, does not build nature around us but puts it forth through us, as a tree puts out leaves. The book closes on a poet's prophecy that the human being, a god in ruins, can rebuild a world of their own.

  • idealism
  • spirit
  • unity
  • reason
  • religion
  • divinity
  • spirituality
  • self
  • matter
  • ideas
  • truth
  • imagination
  • cosmology
  • human power

Within this work

passages held
62
distinct concepts
119
by passages held, corpus-wide
#618

What this book thinks together

The wheel takes this book’s leading concepts and shows how often they come up together. The wider the band between two, the more of its passages speak of both. Among them, most often together: “nature” and “perception”.
Concept co-occurrence, strongest first 8 concepts, joined by 18 pairings. 68 pairings reach beyond these concepts and are not drawn.
ConceptPaired conceptShared passages
natureperception12
aestheticsnature9
idealismnature8
naturespirit6
idealismperception5
idealismspirit5
aestheticsbeauty4
beautynature4
languagenature4
aestheticsperception3
human naturespirit3
beautyperception2
perceptionspirit2
aestheticslanguage1
beautylanguage1
human naturelanguage1
human naturenature1
languagespirit1

Works held

The author's work in order, this book marked in place. Your-language title first, the original beneath it where the two differ; side chips show which full texts are held.

  1. 1836 Nature you are here EN
  2. 1841 Essays: First Series

    Lectures reworked into essays; with the Second Series of 1844, the book on which Emerson's standing as a philosopher mainly rests.

    EN
  3. 1844 Essays: Second Series

    Darker than its predecessor of 1841, and the book of "Experience" and "The Poet". It closes what is usually counted Emerson's most fertile decade, which had begun with Nature.

    EN
  4. 1849 Addresses and Lectures

    Emerson's public speeches of 1837 to 1844, given to college societies and Boston lecture audiences. The two Harvard addresses here are the best-known occasions of his early career.

    EN
  5. 1850 Representative Men

    Emerson's one book built of portraits of other minds, published after his lecture tour of England in 1847–48 — the journey that later produced English Traits (1856).

    EN
  6. 1860 The Conduct of Life

    One of Emerson's most successful books in its day, and the last collection he published for ten years.

    EN
  7. 1870 Society and Solitude

    Ten years after The Conduct of Life, and continuing its turn toward practical life. It appeared in the same year that Harvard asked Emerson to lecture on philosophy.

    EN
  8. 1875 Letters and Social Aims

    Begun to forestall an unauthorized London edition, and the last essay collection published in Emerson's lifetime. Its pieces range from essays of the early 1840s to lectures of his last working years.

    EN
  9. 1883 Lectures and Biographical Sketches

    Added to Emerson's collected works in the years just after his death; a later volume, Natural History of Intellect, followed in 1893.

    EN
  10. 1893 Natural History of Intellect, and Other Papers

    The closest Emerson came to a treatise on the mind, published from his papers after his death and bound with essays from the start of his career.

    EN
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