WorkGautama Buddha

Psalms of the Early Buddhists II: Psalms of the Brethren

Two hundred and sixty-four poems ascribed to the first Buddhist monks — a bandit, a stage-manager, a poet — on the forest, temptation and release.

by Gautama Buddha154 passages held

  • English, a translation held here, and your language
Original title
Theragāthā
Original language
Pali

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Overview

The Saṃyutta Nikāya tells of a stage-manager named Tālapuṭa who asked the Buddha whether actors, who make audiences laugh with their pretences, are reborn among the gods. Pressed three times, the Buddha told him that such a player, holding a false view, faces hell or rebirth as an animal; Tālapuṭa wept, not at the answer, but at having been deceived by his teachers for so long, and asked to be ordained. In the Theragāthā, "the verses of the elder monks", a poem of some fifty verses under the same name asks again and again when its speaker will live in mountain caves, owning nothing he calls his own. It is one of 264 poems, in twenty-one chapters ordered by length, ascribed to monks of the early community, most of whom the tradition places in the Buddha's lifetime. They are not the Buddha's words but the voices of his first followers as the community remembered them. Scholars think the collection grew over centuries, with additions down to at least the period of the Third Council. Aṅgulimāla, the bandit, recalls how the Buddha, walking on the road, told him that he had stopped and the bandit had not, and how he then gave up violence. Monks praise the rain on a hut roof and the cry of peacocks in the forest. The verses were handed down orally and written down in Sri Lanka in the first century BCE, and one commentary, by Dhammapāla, covers them together with the nuns' verses. Caroline Rhys Davids published her English translation in 1913 as Psalms of the Brethren, four years after the nuns' volume. The last and longest poem belongs to Vaṅgīsa, who admits that unwelcome thoughts of women come to him in the homeless life and sets the Buddha's teaching against them.

Key concepts

What do the monks mean when they say the Buddha's ordinance is done?

That the work of the path is finished. The phrase closes verse after verse: the bonds and fetters are destroyed, nothing remains to be done, and no further birth is coming. It is the claim of an arahant, one who has reached the goal in this life. Most of the poems in the book end on some form of it, whatever struggle came before.

What is the 'Norm' in these verses?

It is Caroline Rhys Davids' word for dhamma, the Buddha's teaching and, with it, the way things truly are, which the teaching describes. When a monk speaks of the 'seemly order of the Norm', he means both at once: the doctrine he learned and the order he now sees for himself. To live by the Norm is to have one's life shaped by that order rather than by craving.

Who is Māra, the Dark One, in the monks' verses?

Māra is the tempter, the figure in whom desire and death are joined. The monks speak of having conquered Māra and his host, the armies of craving, and Vaṅgīsa calls the lustful thoughts that trouble him things 'sprung from the Dark'. To defeat Māra is not to slay a demon but to be no longer moved by what he offers, and so to be out of death's reach.

What is the homeless life the monks speak of?

It is the life of one who has gone forth: left house, family and trade to live as a monk, owning a patched robe and a bowl, eating what is given and sleeping at the foot of a tree. The verses treat it as the condition for the work, not the work itself. Going forth removes the household's ties, and the monk must still deal with the mind he brought along.

Themes of the book

What this book returns to, gathered into themes and ordered by how much of the text each one occupies.

A Hut in the Rain

The monks left home for forests and caves, and many of their verses tell what they found there. What does their delight in rain, peacocks and solitude show of the Buddha's teaching lived out?

The first verse sets the tone: well-roofed and pleasant is my little hut, rain at your will, god, my heart is free. Peacocks cry from the woods, a pale crane flies before the storm-cloud, lightning flashes in the rocky cave. Tālapuṭa asks again and again when he will dwell in mountain caves with no thought of 'mine'. The joy is not in the scenery but in a mind that no longer needs shelter, and the elder Sāriputta puts it plainly: he neither dallies with death nor delights in living, and awaits the hour like a hireling whose work is done.

  • solitude
  • contentment
  • equanimity
  • meditation
  • renunciation
  • detachment
  • liberation
  • nibbana

A Mind That Will Not Settle

Leaving home does not leave desire behind. Many of the verses record a struggle that is still going on, and ask what the teaching does for someone in the middle of it.

Vaṅgīsa admits that unwelcome thoughts, sprung from the Dark, flit about his mind in the homeless life, and sets the truths he stands on against them. An ape prowls the little five-doored hut of the senses, rattling from door to door. Honour and gifts from wealthy patrons are a fine dart bedded in the flesh. The body is a painted casket full of blood. And Mahākassapa takes a morsel from a leper's rotting hand, eats it calmly, and feels no disgust.

  • sense restraint
  • sensual desire
  • craving
  • self-discipline
  • mindfulness
  • body
  • humility
  • attachment

Within this work

passages held
154
distinct concepts
195
by passages held, corpus-wide
#405

What this book thinks together

The wheel takes this book’s leading concepts and shows how often they come up together. The wider the band between two, the more of its passages speak of both. Among them, most often together: “liberation” and “rebirth”.
Concept co-occurrence, strongest first 8 concepts, joined by 28 pairings. 73 pairings reach beyond these concepts and are not drawn.
ConceptPaired conceptShared passages
liberationrebirth23
cravingliberation16
liberationrenunciation15
liberationmindfulness12
meditationrenunciation11
rebirthrenunciation10
cravingrebirth9
liberationmeditation9
liberationsuffering9
impermanencerenunciation7
rebirthsuffering6
cravingrenunciation5
cravingsuffering5
impermanenceliberation5
impermanencemeditation5
meditationrebirth5
mindfulnesssuffering5
mindfulnessrebirth4
mindfulnessrenunciation4
cravingimpermanence3
cravingmeditation3
cravingmindfulness3
impermanencerebirth3
impermanencesuffering3
meditationmindfulness3
meditationsuffering3
renunciationsuffering3
impermanencemindfulness2

Works held

The author's work in order, this book marked in place. Your-language title first, the original beneath it where the two differ; side chips show which full texts are held.

  1. 1892 Buddhistische Anthologie

    A book assembled by its translator, not a book of the canon, and the start of a sequence: Neumann went on to translate the Dhammapada in 1893 and the verses of the monks and nuns in 1899.

    DE
  2. Dialogues of the Buddha (Dīgha Nikāya)

    Of the five collections of the Buddha's discourses in the Pāli Canon, this one comes first and holds the longest pieces. Many of them stage an encounter: a brahmin, a king or a rival ascetic arrives with a question.

    EN
  3. Psalms of the Early Buddhists I: Psalms of the Sisters (Therīgāthā)

    The companion to the Theragāthā, the verses of the elder monks, and less than half its length.

    EN
  4. Psalms of the Early Buddhists II: Psalms of the Brethren (Theragāthā) you are here EN
  5. Sutta-Nipāta

    An anthology rather than a single discourse: five chapters of verse and verse-dialogue, gathered into the miscellaneous fifth collection of the canon.

    DEEN
  6. The Book of the Kindred Sayings (Saṃyutta Nikāya)

    Built by topic rather than by length, unlike the two collections before it: here causation, the aggregates of a person and the six senses each receive a book of their own.

    PIEN
  7. The Dhammapada (Dhammapada)

    The best known of the canon's verse anthologies, filed with the miscellaneous fifth collection. Many of its verses recur elsewhere in the canon, and several early schools kept their own version.

    EN
  8. The Middle Length Discourses of the Buddha (Majjhima Nikāya)

    Where the Dīgha stages debates, this collection shows the Buddha at work as a teacher, with monks, householders and ascetics. Neumann's version, the first complete one in a European language, keeps the German spelling of the 1890s, with forms such as giebt and Gleichniss.

    DE
  9. The Udāna: Inspired Utterances of the Buddha (Udāna)

    Prose scenes, each with its verse: a mixed form among the books of the miscellaneous fifth collection, where the Dhammapada and the Theragāthā are verse alone.

    DE
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