Widowhood as a Calling
Is a widow only someone who has lost a husband, or can widowhood be a way of life with its own dignity? Writing for a queen in her early twenties, Erasmus answers with the widows of Scripture and the early Church.
The book opens on war, the one calamity that men inflict on one another and that makes them wicked as well as wretched. It allows grief: forbidding a wife to weep at her husband's burial would be inhuman. Then it gives widowhood models, Judith with her double triumph of victory and chastity, the aged prophetess Anna, Naomi, Monica winning back Augustine with her tears. Yet Erasmus will not press a young widow to vow herself for life, since Paul advised young widows to marry and lifelong continence is God's particular gift.
- widowhood
- grief
- chastity
- continence
- charity
- piety
- women
- prayer
- education
- faith
Enter a dialogue
- A young widow is told that weeping for her husband shows weak faith. Why do you call it inhuman to forbid her tears?
- Anna, the aged prophetess in the Temple, was dim-eyed with years but sharp-sighted in spirit. What can an old widow see that others miss?
- A mother watches her grown son go badly astray. What does Monica, who won Augustine back with her tears, teach her about not giving up?
- Written to comfort a war widow, this book opens by calling war worse than earthquake, flood or plague. Why should war be the worst of all?