WorkLeo Tolstoy

A Confession

Nearing fifty, famous and prosperous, Tolstoy hid a cord from himself: this is his account of why, and the church censor cut it out.

by Leo Tolstoy194 passages held

  • Russian, the original language
Original title
Исповедь
First published
(aged 56)
Original language
Russian

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Overview

In May 1882 the Moscow monthly Russkaya Mysl (Russian Thought) set in type Leo Tolstoy's account of why, at the height of his fame, he had come close to killing himself. The church censor refused it, and the pages were cut out of almost every copy of the issue. Tolstoy was nearly fifty, the author of War and Peace and Anna Karenina, with a loving wife, children and large estates, when one question stopped him: what would come of any of it? He took a cord out of his room so that he would not hang himself from the beam, and gave up going out with his gun. In the search that followed, science and philosophy — Solomon, the Buddha, Socrates, Schopenhauer — only confirmed the despair, and an Eastern fable described it exactly: a traveller hanging inside a well, licking drops of honey from the branch that two mice are gnawing through. What Tolstoy saw instead was the peasants around him, who lived and died without that terror. Faith, he concluded, is not agreement with what one has been told but the knowledge of what life means, by which a person is able to go on living. For a time he kept every Orthodox rite. Then the church's blessing of war, and its hostility to other believers — Old Believers, Molokans, Catholics — whose lives he admired, ended that, and the book closes on a dream of lying over an abyss, held up from above. The Geneva émigré publisher Mikhail Elpidine printed it in 1884. At home, handwritten copies and student editions circulated in far greater numbers than the journal's 3,000 printed copies, and it could appear legally in Russia only in 1906. William James discussed and quoted it at length in The Varieties of Religious Experience (1902).

Key concepts

What is the question at the centre of A Confession?

What will come of any of it? Tolstoy put it to his own life at the height of success: whatever he did, his work, his family, his estates, what would it amount to in the face of death? He could find no answer, and without one he could not see why he should go on living. The whole book is the search for an answer that makes life possible.

What is the fable of the traveller in the well?

It is an Eastern fable that Tolstoy found described his condition exactly. A traveller hangs inside a well, licking drops of honey from the branch that holds him, while two mice gnaw through it. The picture holds the whole crisis of the book: the sweetness of a life still being tasted, and its end in plain view, coming closer with every bite. Once the mice have been seen, the honey is no longer enough.

What does Tolstoy mean by faith in A Confession?

Faith is the knowledge of what life means, by which a person is able to go on living. It is not agreement with what one has been told, and it is not the acceptance of a doctrine. Tolstoy found it not in the learned but in the peasants around him, who lived and died without terror. The test of faith, on this account, is that a life can rest on it.

Why did science and philosophy fail Tolstoy's question in A Confession?

Because their best answers only confirmed that it would all come to nothing. Tolstoy searched through science and philosophy, from Solomon and the Buddha to Socrates and Schopenhauer, and found his own despair repeated by the wisest people he could read. Reason, pursued honestly, led him to the edge of suicide rather than away from it, which is why the answer had to come from somewhere reason had not looked.

Why does A Confession end outside the church it had returned to?

Because the church failed the test of its own teaching. Tolstoy kept every Orthodox rite for a time, but he could not accept a church that blessed war and was hostile to Old Believers, Molokans and Catholics whose lives he admired. A faith that lets people live, he concluded, could not belong to one confession that condemned others living by it.

Themes of the book

What this book returns to, gathered into themes and ordered by how much of the text each one occupies.

The Question That Stopped a Successful Life

What does a life amount to, if death ends everything it holds? Nearing fifty, with fame, family and estates, Tolstoy found no answer that let him go on.

One question, what would come of any of it, stopped a man who had everything a life can be given: fame, a loving wife, children, large estates. He took a cord out of his room so as not to hang himself from the beam. Science and philosophy, Solomon, the Buddha, Socrates and Schopenhauer, only confirmed the despair. An Eastern fable caught it exactly: a traveller hanging inside a well, licking drops of honey from a branch that two mice are gnawing through. Every sweetness is tasted with the end in view.

  • meaning of life
  • mortality
  • death
  • existential despair
  • despair
  • existential crisis
  • suicide
  • futility
  • finitude
  • philosophical pessimism
  • limits of knowledge
  • reason
  • knowledge
  • self-deception

Faith as the Knowledge That Lets a Person Live

What did the peasants know that let them live and die without the terror reason had brought him? And can a church that blesses war be where that knowledge lives?

The way out did not come from argument. It came from looking at the peasants around him, who lived and died without the terror that had seized him. Faith, Tolstoy concluded, is not agreement with what one has been told but the knowledge of what life means, by which a person is able to go on living. For a time he kept every Orthodox rite. The church's blessing of war, and its hostility to Old Believers, Molokans and Catholics whose lives he admired, ended that, and the book closes on a dream of lying over an abyss, held up from above.

  • faith
  • religion
  • religious doubt
  • truth
  • religious authority
  • religious ritual
  • religious pluralism
  • labor
  • purpose
  • love
  • self-knowledge

Within this work

passages held
194
distinct concepts
276
by passages held, corpus-wide
#361

What this book thinks together

The wheel takes this book’s leading concepts and shows how often they come up together. The wider the band between two, the more of its passages speak of both. Among them, most often together: “faith” and “meaning of life”.
Concept co-occurrence, strongest first 8 concepts, joined by 16 pairings. 89 pairings reach beyond these concepts and are not drawn.
ConceptPaired conceptShared passages
faithmeaning of life18
meaning of lifereason16
faithreason14
limits of knowledgemeaning of life11
existential despairmeaning of life8
meaning of lifemortality8
deathmeaning of life7
existential despairmortality6
deathmortality5
deathexistential despair2
deathfaith2
meaning of lifereligious doubt2
existential despairfaith1
existential despairreason1
faithlimits of knowledge1
limits of knowledgereason1

Works held

The author's work in order, this book marked in place. Your-language title first, the original beneath it where the two differ; side chips show which full texts are held.

  1. 1884 A Confession (Исповедь) you are here RU
  2. 1885 What I Believe (В чём моя вера?)

    A statement of positive faith, written between 1882 and 1884: where A Confession ends at the threshold of belief, this book sets out what the belief is.

    RU
  3. 1886 What Then Must We Do? (Так что же нам делать?)

    Of all Tolstoy's post-conversion books, this is the one that starts in the street: it turns the religious conclusions of What I Believe onto money, work and the city he was living in.

    RU
  4. 1888 On Life (О жизни)

    After the social criticism of What Then Must We Do?, it gives Tolstoy's religious turn the form of a philosophical treatise, tried out first on Moscow's university philosophers.

    RU
  5. 1892 The Four Gospels Harmonized and Translated (Соединение и перевод четырёх Евангелий)

    The workshop behind What I Believe and everything after it, and the long study that A Confession was written to introduce: a work of translation and commentary rather than argument.

    RU
  6. 1893 Religion and Morality (Религия и нравственность)

    In the same year he finished The Kingdom of God Is Within You, Tolstoy set down here, in compact form, what he meant by religion.

    RU
  7. 1893 The Kingdom of God Is Within You (Царство Божие внутри вас)

    The doctrine of non-resistance that What I Believe set out as a personal faith is here turned against the state itself.

    RU
  8. 1897 What Is Art? (Что такое искусство?)

    Standing apart from the religious and political writing around it, this is Tolstoy's treatise on aesthetics.

    RU
  9. 1900 Patriotism and Government (Патриотизм и правительство)

    It follows "Christianity and Patriotism" (1894) and "Patriotism or Peace?" (1896), and goes further than either, from the feeling itself to the governments that live by it.

    RU
  10. 1908 I Cannot Be Silent (Не могу молчать!)

    Two years before his death, Tolstoy turned from the treatise to the newspaper page: a signed article addressed to everyone who ordered, carried out or lived by the executions of 1908.

    RU
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