WorkLeo Tolstoy

I Cannot Be Silent

A newspaper line about peasants hanged at Kherson moved Tolstoy, at seventy-nine, to ask that the hangings stop or that he be hanged too.

by Leo Tolstoy42 passages held

  • Russian, the original language
Original title
Не могу молчать!
First published
(aged 80)
Original language
Russian

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Overview

On 9 May 1908 the newspaper Tolstoy read reported that twenty peasants had been hanged that day at Kherson for an armed raid on a landowner's estate. The item stood in a column of death sentences and executions; by Tolstoy's count they had now gone on without a pause for two or three years, in a Russia whose law, as he put it, had until lately known no death penalty. He began the article within days. It opens on that newspaper column and then describes, step by step, how such a hanging is carried out: the priest in his vestments speaking of God and Christ, the executioners soaping the nooses so that they tighten better, the doctor walking among the bodies to certify that the work has been done properly. Tolstoy's argument is that the executions were carried out in the name of order and the common good, and therefore in his name too. He saw a plain connection between his spacious room, his dinner and his leisure and the killing done to protect them, and he would not go on living with it. He meant to spread what he had written in Russia and abroad until one of two things happened: the executions stopped, or his own connection with them was broken — by prison, or, better, by a shroud and a soaped noose like the peasants'. The papers later corrected the report: twelve men had been hanged, not twenty. Tolstoy changed the number in a note of his own and left everything else as it stood, since what he had said applied to all the thousands killed. He dated the article 31 May 1908, at Yasnaya Polyana. Newspapers across much of Europe printed the full text in July. At home, excerpts appeared on 4 July in several papers, Russkiye Vedomosti and Rech among them, and every one of them was fined; in Sevastopol a publisher who pasted his paper's excerpts up around the town was arrested.

Key concepts

What does complicity mean in I Cannot Be Silent?

It means sharing in a killing one did not order or perform, because it is done on one's behalf. Tolstoy argues that the executions of 1908 were carried out in the name of order and the common good, and so in his name. His room, his dinner and his leisure were among the things the killing protected, and that connection made him a party to it.

Why does I Cannot Be Silent describe a hanging step by step?

To show that an execution is not an abstraction but a chain of ordinary jobs, each done by someone. The priest speaks of God and Christ, the executioners soap the nooses so that they tighten better, the doctor certifies that the work was done properly. Described that way, the killing loses the cover of words like order and the common good, and every participant becomes visible.

Why does Tolstoy ask to share the peasants' noose?

Because it is the only way left to break his connection with the executions if they do not stop. He meant to spread the article in Russia and abroad until one of two things happened: the hangings ended, or he was cut off from them, by prison or, better, by a shroud and a soaped noose like the peasants'. The demand turns a protest into a personal wager.

Why did the corrected count of twelve, not twenty, change nothing?

Because the argument was never about one number. When the papers reported that twelve men had been hanged at Kherson, not twenty, Tolstoy changed the figure in a note of his own and left everything else as it stood. What he had written applied to all the thousands killed, and a smaller count at Kherson did not make any of those deaths less his concern.

Themes of the book

What this book returns to, gathered into themes and ordered by how much of the text each one occupies.

Hangings Carried Out in His Name

Is a person answerable for killing the state does to protect the order they live in? Tolstoy answers yes, and asks to be hanged too if the killing goes on.

The executions of 1908, Tolstoy argues, were carried out in the name of order and the common good, and therefore in his name too. He saw a plain connection between his spacious room, his dinner and his leisure and the killing done to protect them, and he would not go on living with it. So he set himself a condition: to spread what he had written in Russia and abroad until the executions stopped, or until his own connection with them was broken, by prison or, better, by a soaped noose like the peasants'.

  • complicity
  • moral responsibility
  • conscience
  • political responsibility
  • class relations
  • land ownership
  • social injustice
  • justice

How a Hanging Is Carried Out

How do ordinary people come to kill in cold blood, one routine task at a time? Tolstoy answers by describing a hanging step by step, with every participant in place.

The article opens on a newspaper column of death sentences, twenty peasants hanged at Kherson among them, in what Tolstoy counted as the second or third year of executions without a pause. Then it describes a hanging as a sequence of jobs: the priest in his vestments speaking of God and Christ, the executioners soaping the nooses so that they tighten better, the doctor walking among the bodies to certify that the work was done properly. When the papers corrected twenty to twelve, Tolstoy changed the number and nothing else.

  • capital punishment
  • state violence
  • political violence
  • bureaucracy
  • religious hypocrisy
  • hypocrisy
  • moral corruption
  • moral justification
  • repression

Within this work

passages held
42
distinct concepts
89
by passages held, corpus-wide
#674

What this book thinks together

The wheel takes this book’s leading concepts and shows how often they come up together. The wider the band between two, the more of its passages speak of both. Among them, most often together: “capital punishment” and “state violence”.
Concept co-occurrence, strongest first 7 concepts, joined by 17 pairings. 33 pairings reach beyond these concepts and are not drawn.
ConceptPaired conceptShared passages
capital punishmentstate violence9
moral responsibilitypolitical violence4
complicitypolitical violence3
consciencepolitical violence3
political powerstate violence3
capital punishmentmoral responsibility2
capital punishmentpolitical violence2
complicityconscience2
complicitymoral responsibility2
consciencemoral responsibility2
moral responsibilitypolitical power2
moral responsibilitystate violence2
capital punishmentcomplicity1
capital punishmentconscience1
capital punishmentpolitical power1
complicitystate violence1
consciencepolitical power1

Works held

The author's work in order, this book marked in place. Your-language title first, the original beneath it where the two differ; side chips show which full texts are held.

  1. 1884 A Confession (Исповедь)

    Tolstoy submitted it as an introduction to a larger, then-unpublished work, his critique of church theology and his own reading of the Gospels, and it stands at the door of everything he wrote after his conversion.

    RU
  2. 1885 What I Believe (В чём моя вера?)

    A statement of positive faith, written between 1882 and 1884: where A Confession ends at the threshold of belief, this book sets out what the belief is.

    RU
  3. 1886 What Then Must We Do? (Так что же нам делать?)

    Of all Tolstoy's post-conversion books, this is the one that starts in the street: it turns the religious conclusions of What I Believe onto money, work and the city he was living in.

    RU
  4. 1888 On Life (О жизни)

    After the social criticism of What Then Must We Do?, it gives Tolstoy's religious turn the form of a philosophical treatise, tried out first on Moscow's university philosophers.

    RU
  5. 1892 The Four Gospels Harmonized and Translated (Соединение и перевод четырёх Евангелий)

    The workshop behind What I Believe and everything after it, and the long study that A Confession was written to introduce: a work of translation and commentary rather than argument.

    RU
  6. 1893 Religion and Morality (Религия и нравственность)

    In the same year he finished The Kingdom of God Is Within You, Tolstoy set down here, in compact form, what he meant by religion.

    RU
  7. 1893 The Kingdom of God Is Within You (Царство Божие внутри вас)

    The doctrine of non-resistance that What I Believe set out as a personal faith is here turned against the state itself.

    RU
  8. 1897 What Is Art? (Что такое искусство?)

    Standing apart from the religious and political writing around it, this is Tolstoy's treatise on aesthetics.

    RU
  9. 1900 Patriotism and Government (Патриотизм и правительство)

    It follows "Christianity and Patriotism" (1894) and "Patriotism or Peace?" (1896), and goes further than either, from the feeling itself to the governments that live by it.

    RU
  10. 1908 I Cannot Be Silent (Не могу молчать!) you are here RU
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