WorkSøren Kierkegaard

Two Ethical-Religious Essays

Two short essays signed with the initials H.H.: on dying for the truth, and on the difference between a genius and an apostle.

by Søren Kierkegaard107 passages held

  • Danish, the original language
Original title
Tvende ethisk-religieuse Smaa-Afhandlinger
First published
(aged 36)
Original language
Danish

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Overview

Adolph Peter Adler, a Hegelian-trained pastor on the Danish island of Bornholm and a former schoolmate of Søren Kierkegaard, published a volume of sermons in 1843 claiming that Jesus had appeared to him and told him to abandon his philosophy. Bishop Mynster suspended him in 1844 and removed him from office in 1845, and Adler then began to describe his revelation as a work of genius. That slide, from revelation to genius, is the subject of the second essay here. A genius, the essay argues, is born with a gift: what he says stands or falls on its merits, and in time the world catches up with him. An apostle is called, and he brings authority. To praise Paul for the depth of his thought or the beauty of his style is to have stopped hearing what he claims, which is that he speaks for God and must be obeyed or refused. The first essay asks whether anyone has the right to let himself be put to death for the truth, and answers that no ordinary person has: never wholly in the truth himself, he would make his killers guilty of murder for the sake of a truth he holds only in part. Kierkegaard drafted the genius essay in 1846 as part of a book about Adler that he never published, and the martyrdom essay late in 1847. On 19 May 1849 the two appeared under the initials H.H. They were issued through the publisher Gyldendal rather than his usual bookseller, probably so that the pseudonym would not be traced to him. Seventy-four copies had sold by 1852.

Key concepts

Who is H.H.?

The initials under which the two essays appeared on 19 May 1849, the only book Kierkegaard published under them. It was issued through the publisher Gyldendal rather than his usual bookseller, probably so that the pseudonym would not be traced to him. The pamphlet is Kierkegaard's, salvaged from a planned cycle of ethical-religious essays he gave up that spring.

What separates a genius from an apostle, on this essay's account?

A genius is born with a gift, and what he says stands or falls on its merits; in time the world catches up with him. An apostle is called, and what he brings is authority, to be obeyed or refused rather than evaluated. Judging an apostle by depth or style treats a claim of authority as a performance.

Who was Adolph Peter Adler?

A Hegelian-trained pastor on Bornholm and a former schoolmate of Kierkegaard, who published sermons in 1843 claiming that Jesus had appeared to him. Bishop Mynster suspended him in 1844 and removed him in 1845, after which Adler began describing his revelation as a work of genius. Kierkegaard drafted a book about him in 1846 and never published it; the genius essay comes from it.

Why would dying for the truth make the killers guilty?

Because whoever lets himself be put to death for the truth turns those who kill him into murderers, and the essay asks whether anyone may impose that guilt on others. Only someone wholly in the truth, facing people wholly in the wrong, could justify it, and no ordinary person stands in that position.

Themes of the book

What this book returns to, gathered into themes and ordered by how much of the text each one occupies.

May a Person Let Himself Be Killed for the Truth?

Is dying for the truth always noble, or can it make others guilty of a murder that need not have happened? The first essay answers that no ordinary person has that right.

The argument turns on what the martyr does to his killers. Someone who lets himself be put to death for the truth makes those who kill him guilty of murder. That price could be justified only if he were wholly in the truth and they wholly in the wrong, and no ordinary person is: each holds the truth only in part. Concern for the killers, not only for the truth, is what forbids it. Kierkegaard drafted the essay late in 1847 and published it in May 1849, beside the essay on the genius and the apostle, under the initials H.H.

  • martyrdom
  • truth
  • moral responsibility
  • persecution
  • courage
  • sin
  • guilt
  • atonement
  • ethics
  • power
  • action
  • love
  • silence
  • suffering

The Difference Between a Genius and an Apostle

A genius is born with a gift; an apostle is called and brings authority. To praise Paul for his depth or his style, the second essay argues, is to have stopped hearing what he claims.

What a genius says stands or falls on its merits, and in time the world catches up with him. An apostle is not ahead of his age; what he brings comes from outside it, and it must be obeyed or refused, not admired. The case behind the essay was Adolph Peter Adler, a Bornholm pastor who said Jesus had appeared to him, was removed from office by Bishop Mynster, and then began describing his revelation as a work of genius. That slide, from revelation to genius, is the confusion the essay exists to name.

  • apostleship
  • authority
  • religious authority
  • divine authority
  • genius
  • revelation
  • obedience
  • faith
  • christianity
  • christology
  • humility
  • aesthetics
  • religious paradox
  • free will

Within this work

passages held
107
distinct concepts
202
by passages held, corpus-wide
#489

What this book thinks together

The wheel takes this book’s leading concepts and shows how often they come up together. The wider the band between two, the more of its passages speak of both. Among them, most often together: “martyrdom” and “truth”.
Concept co-occurrence, strongest first 8 concepts, joined by 13 pairings. 90 pairings reach beyond these concepts and are not drawn.
ConceptPaired conceptShared passages
martyrdomtruth22
martyrdommoral responsibility14
moral responsibilitytruth13
faithreligious authority4
apostleshipreligious authority3
atonementtruth3
authorityfaith3
atonementmoral responsibility2
apostleshipauthority1
apostleshipfaith1
atonementmartyrdom1
authorityreligious authority1
martyrdomreligious authority1

Works held

The author's work in order, this book marked in place. Your-language title first, the original beneath it where the two differ; side chips show which full texts are held.

  1. 1841 The Concept of Irony (Om Begrebet Ironi)

    Defended in September 1841 — after he had returned Regine Olsen's engagement ring, before the final break with her — this academic dissertation is the last book he signed himself before the pseudonymous books began with Either/Or.

    DA
  2. 1843 Either/Or (Enten – Eller)

    The first of the pseudonymous books: an invented editor presenting two invented authors, whose argument Stages on Life's Way would reopen two years later.

    DA
  3. 1843 Fear and Trembling (Frygt og Bæven)

    Twin of Repetition, published the same October day: both books take up a man who must give up what he loves, one through Abraham and Isaac, the other through an engagement broken off.

    DA
  4. 1843 Repetition (Gjentagelsen)

    A short fiction, subtitled a venture in experimenting psychology: one man's account of a journey back to Berlin, and another man's letters about a love he has fled.

    DA
  5. 1844 Philosophical Fragments (Philosophiske Smuler)

    Johannes Climacus signs his first book here and returns in the far longer Postscript; in its author's lifetime this short thought experiment was little read outside Denmark.

    DA
  6. 1844 The Concept of Anxiety (Begrebet Angest)

    Philosophical Fragments had appeared four days earlier under another pseudonym; this is its companion, and it takes a point of church doctrine, inherited sin, and treats it as a problem in psychology.

    DA
  7. 1845 Stages on Life's Way (Stadier paa Livets Vei)

    Characters from Either/Or and Repetition return here, and the argument moves past the ethical into the religious.

    DA
  8. 1846 Concluding Unscientific Postscript to "Philosophical Fragments" (Afsluttende uvidenskabelig Efterskrift)

    He meant it to close his authorship and later called it the authorship's turning point; after it, the openly religious writing takes over.

    DA
  9. 1846 Two Ages: The Age of Revolution and the Present Age. A Literary Review (En literair Anmeldelse)

    After the Postscript's farewell, the first book he published was, in form, a review of a contemporary novel, and he signed it with his own name.

    DA
  10. 1847 Upbuilding Discourses in Various Spirits (Opbyggelige Taler i forskjellig Aand)

    Begun in the spring of 1846, while the satirical weekly The Corsair was still caricaturing him, it opens the run of signed religious books that fills the years after the Postscript.

    DA
  11. 1847 Works of Love (Kjerlighedens Gjerninger)

    Two series of deliberations, a form he set apart from the discourse because it is meant to unsettle a reader rather than console one, published six months after the Upbuilding Discourses in Various Spirits.

    DA
  12. 1848 Christian Discourses (Christelige Taler)

    The first book of 1848, the year he later called the richest of his authorship and the year he wrote The Sickness unto Death.

    DA
  13. 1849 The Sickness unto Death (Sygdommen til Døden)

    The first of two books signed by Anti-Climacus, with Practice in Christianity following in 1850; Kierkegaard later ranked the pair among the most important things he wrote.

    DA
  14. 1849 Two Ethical-Religious Essays (Tvende ethisk-religieuse Smaa-Afhandlinger) you are here DA
  15. 1850 Practice in Christianity (Indøvelse i Christendom)

    Kierkegaard judged it the truest of all his books; with The Sickness unto Death it makes up the pair signed by Anti-Climacus.

    DA
  16. 1851 For Self-Examination (Til Selvprøvelse, Samtiden anbefalet)

    The last new title he published before three years of public silence, and the book whose planned second series became Judge for Yourselves!

    DA
  17. 1855 The Moment (Øieblikket Nr. 1–10)

    The open, signed form of the criticism that Practice in Christianity had made under a pseudonym, carried in a periodical of his own through the last months of his life.

    DA
  18. 1876 Judge for Yourselves! (Dømmer selv! Til Selvprøvelse Samtiden anbefalet)

    Of the books on this shelf, the only one he finished and then chose not to publish; it stands between the signed discourses of 1851 and the open attack on the church of 1854–55.

    DA
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